The Nights at Deutsche Oper

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“One Thousand and One Nights”, the collection of stories from the Orient, forms the focus of this ballet, newly choreographed by Angelin Preljocaj for the Staatsballett Berlin and staged as a coproduction with his own company, the Ballet Preljocaj. With this work, which fills an entire evening, he investigates those motifs hidden within the Arabian, originally Persian, and Indian traditions of folk fairytales and stories, and tells his narrative from the perspective of the female protagonists: “I venture forth like a painter expressing his vision of a fantastical Orient. My vision is given shape as a type of calligraphy consisting of affects and atmospheres,” says Preljocaj when talking of his creation.

The evening is largely based on the music of Natacha Atlas; her work is a cross-over between the oriental and the western world, and has brought her international acclaim. The costumes have been created by the celebrated fashion designer Azzedine Alaïa. Born in Tunisia, he now runs his studio in Paris, creating works which set international trends. Constance Guisset, the exceedingly successful French designer, is a long-time colleague of Angelin Preljocaj. She is responsible for the stage design featured in THE NIGHTS.

Regarded as one of the leading choreographers of the French avant-garde, Angelin Preljocaj has previously presented a number of his works in Berlin, including his 2009 production of SNOW WHITE, which was greeted with great enthusiasm by audiences.

Premiere:
DEUTSCHE OPER BERLIN
Saturday, 01.02.2014
19.00 h
Tickets: 29 – 90 €

Further Events:
01 | 07 | 21 | 25 February 2014
01 | 06 | 12 March 2014
03 April 2014

Dancers: Iana Balova, Maria Boumpouli, Anissa Bruley, Weronika Frodyma, Cécile Kaltenbach, Marina Kanno, Mari Kawanishi, Ilenia Montagnoli, Danielle Muir, Jordan Muir, Krasina Pavlova, Haney Schwan, Arshak Ghalumyan, Leonard Jakovina, Vladislav Marinov, Alexander Shpak, Federico Spallitta, Wei Wang.

Choreographie und Inszenierung: Angelin Preljocaj
Bühne: Constance Guisset
Kostüme: Azzedine Alaïa
Einstudierung: De Smet Claudia
Es tanzen: Solisten und Corps de ballet des Staatsballetts Berlin
Musik: vom Tonträger

1:30 h | no interval
Staatsballett Berlin | Ballet Preljocaj (Aix-en-Provence)

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Ballets Russes – A moderated ballet concert

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The Russian group of artists of the Ballets Russes toured in the early 20th Century Western art capitals in order to impress an entire generation and set the art world on its head. Around the impresario Serge Diaghilev gathered not only dancers and innovative theater people, but also visual artists and composers. For tours of the Ballets Russes created works – have found their way into the concert repertoire – mostly intended for a dance implementation. In Concert Film Orchestra Babelsberg some of the most famous compositions are on the program. Vladimir Malakhov is master of ceremonies and presents soloists and corps de ballet of the Berlin State Ballet, which convert some of the works of dance. Ticket sales available at the cash register at the Konzerthaus Berlin. [Source]

Berlin Konzerthaus

Tuesday, February 19, 2013 – 20:00.
Thursday, February, 21, 2013 – 20:00.

Programme:

“Petruschka”
Musik von Igor Strawinsky, Auszug
Choreographie in der Tradition von Michail Fokin
Vladimir Malakhov

“Le Spectre de la rose”
Musik von Carl Maria von Weber, “Aufforderung zum Tanz” (orchestriert von Hector Berlioz)
Choreographie in der Tradition von Michail Fokin
Iana Salenko – Dinu Tamazlacaru

“L’Après-midi d’un faune”
Musik von Claude Debussy
Choreographie in der Tradiotion von Waslaw Nijinsky
Nadja Saidakova – Vladislav Marinov

“Les Sylphides”
Musik von Frédéric Chopin, Walzer op. 64 Nr. 2(orchestriert von Alexander Glasunow)
Choreographie in der Tradition von Michail Fokin
Shoko Nakamura – Mikhail Kaniskin

“Scheherazade”
Musik von Nikolai Rimski-Korsakow op. 35, Auszüge
Choreographie in der Tradition von Michail Fokin
Elisa Carrillo Cabrera – Ibrahim Önal

“Der sterbende Schwan”
Musik von Camille Saint-Saëns
Choreographie in der Tradition von Michail Fokin
Beatrice Knop