Staatsballett Berlin: Don Juan – Ballet by Giorgio Madia

donjuan

Don Juan is one of the most dazzling figures in European cultural history. His origins are unclear, but since the early baroque period the legend surrounding his seductive powers and the inevitable punishment this brings him forms the centre of dramas as well as comedies. He provided improvisation-based folk theatres and puppet theatres with material for frivolity; the most famous adaptation for the courtly opera stage is that by Mozart/Da Ponte – it highlights the tragic elements contained within the comic, and envisions his boundless desire as the brilliant characteristic of an intellectual.

The choreographer Giorgio Madia views Don Juan as a figure of the theatre. Part of his myth is the delicate influence of the supposed coincidence which heightens pleasure as well as the never-ending movement which provides the only means for understanding the transience of the present moment. It is the seducer’s masterful use of illusion and fantasy which his female “victims” as well as the audience succumb to. Don Juan has a great gift when it comes to the game and magic of eroticism. He represents that which seems illusory but which is the measure of all things when the whole world becomes a stage.

Giorgio Madia stages this legend as a piece of irresistibly seductive, intimate baroque theatre in modern form. He has drawn inspiration from Christoph Willibald Gluck’s ballet pantomime DON JUAN, the first piece in which the medium of dance was given the sole responsibility for conveying emotions when it premièred in 1761. Complemented by additional compositions by Gluck’s contemporaries, the Zeitgeist of this baroque piece about surrendering to illusion, about desire and transience, could hardly have been given a more fitting expression.

KOMISCHE OPER BERLIN
Monday, 30.06.2014
19.30 h

Further Events:
21 | 24 | 26 | 30 June 2014
02 | 06 July 2014
02 | 09 | 29 December 2014
01 January 2015

Choreography and Production: Giorgio Madia
Stage design: Cordelia Matthes
Costumes: Bruno Schwengl
Light: Diego Leetz
Dramaturgy: Annegret Gertz
Choreographic assistance: Adriana Mortelliti
Musical preparation and solo-violin: Lidia Baich
Music (recorded) and with live violin: Musik vom Tonträger und live
Dancing: Solisten und Corps de ballet des Staatsballetts Berlin
Don Juan: Leonard Jakovina
Zanni: Vladislav Marinov
Diavolo: Michael Banzhaf
Elisa: Iana Salenko
Donna Anna: Elena Pris
Donna Isabella: Ilenia Montagnoli
Donna Elvira: Nadja Saidakova
Carino: Marian Walter
Don Ottavio: Dominic Hodal
Komtur: Oliver Wulff

1:30 h | no intermission

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The Open Square by Itzik Galili

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Itzik Galili is one of the most active choreographers of his generation. Ever happy to try out new things, he is forever searching for new links to different art forms and intellectual worlds in his projects. One elementary characteristic of his work is the impartiality of style, eluding all definition. In one work he utilises a theatrical approach confronted with a pure abstract physicality and in the next a cool analysis chafes at a passionat study of energies with the dancers on pointe or even on roller skates if necessary for the realisation of the idea. Recently the power of Galilis choreographies have been determined by an intense physicality. In order to provoke the necessary disposition of the dancers, direct communication is the focus of the combined creative process, centred on given topics as well as every imaginable paraphrase or paradox that might appear on their mutual path. Following his choreography “The Sofa” which has already delighted the Berlin audience and the guest appearance of “Flatland” with Dansgroep Amsterdam in May 2010, Itzik Galili will now create a full length piece for the dancers of the Staatsballett Berlin. [Source / Source]

Dates:

12 February 2014

17, 23 March 2014

10, 15 April 2014

19 May 2014

Time: 19.30h

Komische Oper Berlin

Behrenstraße 55-57

10117 Berlin

[Source]