Korean ballerina Hyo-Jung Kang goes from Stuttgart to Berlin and Japan

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After three succesfull performances with the Staatsballett Berlin in Onegin earlier this year, Korean superstar ballerina Hyo-Jung Kang is currently in Korea and Japan with Stuttgarter Ballett.



Watch a wonderful segment from Stuttgart here:

Buy tickets to future perfomances of Onegin in Berlin here.

Shoko Nakamura’s new life in Japan

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Ballet dancer Shoko Nakamura, who had a successful career in Europe, has moved her base of activities to Japan — mainly to dance for the K-Ballet Company in Tokyo.

To mark her return to Japan, Nakamura performed the title role in “Carmen” at Bunkamura Orchard Hall earlier this month in Shibuya, Tokyo. The production was choreographed by K-Ballet Artistic Director Tetsuya Kumakawa.

Nakamura is rather tall for a female ballet dancer at 173 centimeters. She is known for her delicate expressiveness and a physique comparable to those of Western dancers. After working for the Vienna State Ballet and the Berlin State Ballet, she moved to the Hungarian National Ballet in 2013.

“The troupe has many classical programs in its repertoire, such as ‘Onegin’ and ‘Manon’ — programs any ballet dancer would love to dance at least once. I thought I would regret it if I didn’t take on the challenge,” Nakamura said.

She decided to move to Budapest with her son and leave behind her husband Wieslaw Dudek, who was her colleague at the Berlin State Ballet in Germany.

Ballet is popular in Budapest. “The seats were full all the time,” Nakamura recalled, so she was always practicing two or three programs at once.

“I found myself having different feelings day to day, sometimes in love and other times full of sorrow,” she said. “There were so many things you would never know unless you danced it. I was tempered that way.”

She gradually came to wish to take on another challenge — dancing predominantly in Japan.

“I’ve been overseas since 16, so I’d lived outside of Japan [for a long time] although I’m Japanese,” the dancer said. “I thought I’d be able to have new encounters and experiences in Japan. I was also worried that my prime would be over if the timing was delayed.”

When she talked to Kumakawa about her intention, he was willing to have her dance in his troupe, which she had worked with many times before. She then moved to Japan with her family.

“I can now be with K-Ballet dancers for a long time and talk to them a lot from now on. I don’t want them to hesitate if they have any questions,” Nakamura said. “It’s difficult creating good productions unless we closely work as colleagues. If there’s a line between us, that would show on the stage.”

Nakamura made meticulous preparations to build the character of Carmen, known as a femme fatale.

“She’s a woman who would completely fascinate any man at a glance, but she has never really been in love with anyone. I suppose she is intoxicated by her own charm,” Nakamura said, adding with a laugh, “We have nothing in common.”

She carefully built up the character by exposing her shoulders from the dress, putting on thick makeup and wearing showy earrings.

“I tried to change myself in a way other people would think was too much,” Nakamura said. “But during rehearsals, I would gradually get rid of them and build a woman with femininity just like Carmen.”

Nakamura is expected to be an inspiration for Kumakawa when he choreographs new works.

“I’m looking forward to that,” Nakamura said. “If he produces works with me in mind, I’d be able to express myself and might also discover something new.”

Nakamura will perform in “Swan Lake” with K-Ballet Company on Oct. 31 and Nov. 1 at Orchard Hall, and on Nov. 5 and 8 at Tokyo Bunka Kaikan in Ueno Park, Tokyo.

Showcase: Ai Okuno

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In a new series on BALLET20.COM we will showcase young ballet dancers with their private photos and videos. The first one is the beautiful and talented Ai Okuno from Osaka in Japan! She studied at Pittsburgh Ballet Theatre School.









Ai Okuno started her ballet training when she was 6 at Hashimoto Sachiyo Ballet School in Osaka Japan. She enjoyed Pittsburgh Ballet Theatre School Summer Intensive program 2012, and also attended PBT graduate program 2013-2014. She got bronze medal with All Japan Ballet Competition in Nagoya 2013, and got gold medals with Zama All Japan Dance Competition both of classical ballet division and contemporary dance division 2014.

Dancing for JAPAN 2014

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The Benefit Dance Concert for the Tohoku Pacific earthquake and Tsunami Relief on May 7th.

http://mikioriharasoloconcert-resonance.org/benefit.html

I’ve been asking myself, as a Japanese national living overseas, how to really help them. Hopefully this benefit concert presented by both established and emerging Japanese dance artists from New York will convey the love and support to the devastated victims.

Furthermore this benefit concert will help create support by having the participating Japanese artists display their work and share their sorrows and hope for the victims. This would be so meaningful for us as Japanese artists living in New York to unite our hands and spread the word across the world.

I will present a silent auction with this benefit concert in May 7th 2014, and the profits from this event will be contributed to Japan through NPO JaNet Earthquake Relief Fund*.

April 2014    Miki Orihara