Principal dancer Amar Ramasar talks about how working with Alexei Ratmansky pushed him to the limit in the choreographer’s fourth…
NYC Ballet’s Tyler Angle on Wheeldon’s MERCURIAL MANOEUVRES
Principal Dancer Tyler Angle discusses choreographer Christopher Wheeldon’s unique style in Mercurial Manoeuvres, how Shostakovich’s playful humor comes out in…
Malakhov with Shoko
From the BAJADERE by Vladimir Malakhov performance with guest Shoko Nakamura as Nikia and Mikhail Kaniskin as Solor at Deutsche…
G-Fit sponsors Prix de Lausanne winner Rina Kanehara
Rina in Honolulu. Visit G-Fit here. Photo via Facebook.
Misty Copeland marks history as first black principal dancer in ABT
American ballerina Misty Copeland has been promoted to the highest rank of the American Ballet Theatre, becoming the first African-American…
“Improvisation for the Left Hand” by Mike Figgis
As a patron of London’s Central School of Ballet, Mike Figgis turns to classical pianist and long-time collaborator Rosey Chan…
Ballet matinee at John Cranko School in Stuttgart
Vielfältigkeit. Formen von Stille und Leere.
„Vielfältigkeit. Formen von Stille und Leere“ entstand 1999 in Koproduktion mit der Stadt Weimar, die seinerzeit Kulturhauptstadt Europas gewesen ist.…
NYC Ballet in the Classroom
A look inside NYC Ballet’s in-school residency programs which engage, enlighten, and inspire students in New York City schools.
DUATO | KYLIÁN
Abschiede stehen im Zentrum von Nacho Duatos erster Kreation „Static Time“ für das Staatsballett Berlin als Intendant der Compagnie und…
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